Offering diverse installation possibilities
   
  Installations can be programmed to dance silently, in synch to music, or in response to visitors' hand motions over a sensor pad.

Dancing Trees science/artworks have proven particularly successful in the Physics and Magnetism areas of science museums as complementary exhibits to our experiment-oriented HotPlates (developed in collaboration with nationally-the acclaimed museum master planning and design firm Hands On!, Inc.).
 
 
Since its award-winning appearance at the Boston Museum of Science in 1989, TechnoFrolics' magnetism-based Dancing Trees exhibit has fascinated and delighted audiences around the world.
 
The pied piper plays
 

Inspiring visitors with a sense of the excitement and fun in science is an ongoing challenge for museum staff, especially in the areas of reputably "cold" sciences such as physics.

The popular magnetism-based Dancing Trees exhibit is an irresistable ice-breaker in this regard. With its lively, intriguing performances, this choreographed exhibit delights museum visitors with demonstrations of science at play, exciting their imagination and drawing them deeper into exhibit areas.

 
How in the world...?"
 
Perhaps more often than any other TechnoFrolics exhibit, the Dancing Trees elicits fascinated inquiries about its inner workings.

The exhibit offers a theatrical, lively and playful display of computer-controlled electromagnetism.

It consists of fine iron particles above a two-tiered structure of magnets. The upper tier is a platform that holds the field of iron particles and a fixed arrangement of slender, vertically-oriented permanent magnets. The lower tier is a grid of computer-controlled electromagnets directly underlying the platform.

When at rest, the iron particles are completely motionless, clustered around the design defined by the permanent magnets on the platform. In performance, under the influence of the choreographed computer-controlled electromagnets, the clusters shiver, sway and dance in uncannily lifelike ways.