The clients listed below include corporations, a private art collector, and museums and public spaces, highlighting the diverse contexts in which the Iron Dust exhibits have appeared.

The amusement, bemusement and delight with which people respond to Iron Dust exhibits, are reflected in comments from media reviewers and the public.

• Art Barn, Santa Ynez, California
  
  Dancing Trees artwork (original configuration and four songs). Private collection created by the late art patron David Bermant, viewing by invitation only.
  
  
• Ford Motor Company, touring international auto shows
  
  Interactive and choreographed Ford Living Logo.
  
  
• Gulf Coast Exploreum, Mobile, Alabama
  
  Dancing Trees artwork (original configuration and four songs). Permanent public installation.
  
  
• International Robotics Showroom, New York, New York
  
  Interactive and choreographed Trump Living Logo. Semi-permanent installation. By appointment, serious clients only.
  
  
• Logan International Airport, Boston, Massachusetts
  (in Terminal A "Kidsport" area)
  
  Dancing Trees artwork (original configuration and four songs). Semi-permanent, coin-operated public artwork.
  
  
• National Inventors Hall of Fame, Akron, Ohio
  
  Dancing Trees artwork (original configuration and four songs). Permanent public installation.
  
  
• Whitaker Center for Science and the Arts, Harrisburg, Pennsylvania
  
  Dancing Trees artwork (original configuration and four songs). Permanent public installation.

In the Media...

"Whatever your expectations, nothing can quite prepare you for the ticklish charm and wacky inventiveness of this performance piece. The iron clumps, with amazing anthropomorphic aplomb, begin to shiver, to plump up narcissistically, to swoon toward one another, to receive the computerized wind like gracefully moving wheat."

Mopsy Strange Kennedy, Boston Globe

 

"..damndest thing you ever saw.."

Jack Thomas, Boston Globe

 

"Strange and wonderful"

Peter Henderson, CBS affiliate, Boston, Massachusetts

 

"Fascinating"

Paula Childs, CBS affiliate, Boston, Massachusetts

Comments from the field...

(A few guestbook comments in response to public art installations.)

"A whole new world - very exciting."

"Very organic (almost eerie)."

"Never seen anything like it, AWESOME!"

"Very interesting and a bit sensual."

"They're so friendly."

"They seem alive, even though you know they're not..."

"Discipline and playfulness evident. Thanks."

"Lots of fun."

"We loved it!"